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Saegusa Kasuko translates the postwar female japanese body

Por:

Slaymaker, Doug

Colaborador(es):

Tipo de material:

Recurso continuoSeries Género, lenguaje y traducción : actas del Primer Seminario Internacional sobre Género y Lenguaje (El género de la traducción-la traducción del género) : Valencia 16-18 octubre 2002 ; 1Detalles de publicación: Valencia : Universitat de ValènciaGeneralitat Valenciana. Conselleria de Benestar Social , 2003Descripción: p. 260-274ISBN:

84-370-5730-2

Tema(s):

En: Quaderns de Gènere, Sexe i LlenguatgeResumen: "Philip Caputo begins his account of a soldier in war (as a U.S. soldier in Vietnam) with a characterization true for most war tales: "This is simply a story about war, about the things men do in war and the things war does to them" (Caputo 1996 :xiii). This glib assumption that men are the subjects of war, both passive and active -what they do and what is done to them- energizes Japanese novelist Saegusa Kazuko's (b. 1929)writing. She wrestles, in her fiction, against a tradition that often treats war as an experience exclusive to men. She fictionalizes her experience of war, as a woman, in the face of gendered discourses...."

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Existencias
Tipo de ítem	Biblioteca actual	Colección	Signatura topográfica	Estado	Fecha de vencimiento	Código de barras
Artículos/Analíticas	Biblioteca Bartolomé Mitre	Colección General	81'25:141.72=134.2=111 S59 (Navegar estantería(Abre debajo))	Disponible		2278-35

Inc. ref.

"Philip Caputo begins his account of a soldier in war (as a U.S. soldier in Vietnam) with a characterization true for most war tales: "This is simply a story about war, about the things men do in war and the things war does to them" (Caputo 1996 :xiii). This glib assumption that men are the subjects of war, both passive and active -what they do and what is done to them- energizes Japanese novelist Saegusa Kazuko's (b. 1929)writing. She wrestles, in her fiction, against a tradition that often treats war as an experience exclusive to men. She fictionalizes her experience of war, as a woman, in the face of gendered discourses...."

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