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Resumen: PARTE PRIMERA: capítulo I. Introducción; capítulo II. Europa ante la aparición del cine sonoro; capítulo III. España frente al cine sonoro; capítulo IV. La política de traducción cinematográfica en España. SEGUNDA PARTE: capítulo V. Metodología de análisis de la traducción audiovisual; capítulo VI. Análisis de Sangre y Arena: Normas de traducción; capítulo VII. Conclusiones. Informe. Anexo.

Resumen: In translation studies, investigating translations beyond the implications, realities and difficulties of single texts and single language combinations, viewing the larger picture surrounding translations and following the translations through to the impacts they produce wherever they are received, is an integral part of the discipline. The study discussed in this article is an effort to present food for thought for audio-visual translators of soap operas. Turkish soap operas have been aired in 90 countries around the world, reaching over 400 million viewers, according to 2014 statistics from the sector. The aim of the study is to indicate the type of translated soap operas preferred in different regions of the world; to explain, on the basis of feedback from experts, the public and local and international media, why these are watched; and to investigate the translation modes and strategies used to market the translations successfully in the receiver markets

Resumen: Translation played a constitutive role in the formation and further existence of the Soviet Union. From the very beginning up to the decline in 1991, it pervaded every aspect of life. Due to the language policy a huge amount of books, brochures and other publications were translated not only from "capitalist" languages but also between the many languages of the Soviet Union. To a certain degree, this holds true also for the Socialist camp. Nevertheless, up to now, translation studies only showed a superficial interest in translation history of communist reigned countries. The focus in research laid around the question how and up to which extend censorship influenced translations. By that, the systemic character of translation was neglected. In the course of this article, I would like to highlight some systemic features of communist translation methods in communist Poland (1944-1991). Poland was in comparison to other communist reigned states with respect to cultural affairs more liberal. A closer look on translational activities will go beyond the traditional concentration of translations of fictional work. By that, we gain to seek deeper structural features. Based on detailed figures about translations made from and into Polish in the mentioned period of time, we get to see, how cultural policy did not directly depend from the Soviet Union, but showed several independent features.