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Resumen: PARTE PRIMERA: capítulo I. Introducción; capítulo II. Europa ante la aparición del cine sonoro; capítulo III. España frente al cine sonoro; capítulo IV. La política de traducción cinematográfica en España. SEGUNDA PARTE: capítulo V. Metodología de análisis de la traducción audiovisual; capítulo VI. Análisis de Sangre y Arena: Normas de traducción; capítulo VII. Conclusiones. Informe. Anexo.

Resumen: The transfer of offensive and taboo language in subtitling may position translators' choices in a challenging and controversial situation, given the effect that such terms can cause on the audience (Díaz Cintas 2001a). Nowadays, it seems that dealing with this type of language starts to gain more attention in academic circles, as it belongs to colloquial language within a low register, and as such we do speak in diverse manners depending on the context we are in. This paper delves into the way offensive and taboo language has been subtitled into European Spanish. In order to conduct this study, the subtitling of the DVD version of Quentin Tarantino's multilingual film Inglourious Basterds (2009) has been described and analyzed, resorting to a multi-strategy design (Robson 2011) which combines quantitative with qualitative data, under the umbrella of the descriptive translation studies paradigm. Accordingly, the main purpose of this analysis is to determine any regularities in the way in which offensive and taboo language has been dealt with in this particular case study, considering the technological restrictions of subtitling as well as the translational strategies employed. Thus, this study aims to shed some light on the way this type of language has been transferred on the screen.

Resumen: In translation studies, investigating translations beyond the implications, realities and difficulties of single texts and single language combinations, viewing the larger picture surrounding translations and following the translations through to the impacts they produce wherever they are received, is an integral part of the discipline. The study discussed in this article is an effort to present food for thought for audio-visual translators of soap operas. Turkish soap operas have been aired in 90 countries around the world, reaching over 400 million viewers, according to 2014 statistics from the sector. The aim of the study is to indicate the type of translated soap operas preferred in different regions of the world; to explain, on the basis of feedback from experts, the public and local and international media, why these are watched; and to investigate the translation modes and strategies used to market the translations successfully in the receiver markets

Resumen: Introducing translation studies is an introductory textbook providing an accessible overview of the key contributions to translation studies. Munday explores each theory chapter by chapter and tests the different approaches by applying them to texts. The texts discussed are taken from a broad range of languages - English, French, German, Spanish, Italian, Punjahi, Portuguese and Spanish - and English translations are provided. A wide variety of text types is analyzed, including a tourist brochure, a children's cookery book, a Harry Potter novel, the Bible, literary reviews and translators' prefaces, film translation, a technical text and a European Parliament speech. Each chapter includes the following features: a table presenting the key concepts; an introduction outlining the translation theory or theories; illustrative texts with translations; a chapter summary; discussion points and exercises. Including a general introduction, an extensive bibliography and internet sites for further information, this is a practical, user-friendly textbook that gives a balanced and comprehensive insight into translation studies.

Resumen: La presente obra nace de una tesis doctoral que a su vez parte de tres objetivos: a) revisar determinados conceptos básicos de la traducción audiovisual, los estudios descriptivos y la interculturalidad así como ciertos postulados pragmáticos, con el fin de acercarnos al fenómeno humor y e su traducción y de elaborar una metodología de análisis adecuada, b) describir desde una perspectiva discursiva parte de los mecanismos que se muestran activos en la traducción del humor en textos audiovisuales y c) identificar un listado de tendencias traductoras que sirva como punto de partida para una futura constatación de posibles normas de traducción del humor en textos audiovisuales.

Resumen: "Cine independiente y traducción" es el ensayo, resultado de un proyecto de investigación centrado en el cine independiente (de autor) americano, abordado desde la óptica de su traducción al español en las modalidades más utilizadas de la traducción audiovisual; el doblaje y la subtitulación. La obra analiza la forma de traducir (el "Método de traducción") en cinco películas independientes americanas realizadas entre los años 2001 y 2003, como el resultado del proceso de la búsqueda de soluciones ante los problemas que su traducción plantea. El método de traducción observado puede variar dependiendo de la modalidad de traducción elegida, ya que se obtiene un producto que en ocasiones puede llegar a parecer diferente. Este libro esta dirigido a estudiantes, investigadores y a todos los lectores interesados en el cine independiente y su traducción.