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Resumen: Technical difficulties associated with dubbing, together with the collaborative nature of the dubbing process, explain why traditionally the linguistic challenges of dubbing translation for specific audiences such as children have not been studied very closely. As new developments in sound recording improve the technical quality of dubbing, it is time for the remaining textual translation issues to be addressed in more detail. Due to the many common characteristics of different text types aimed at children, dubbers of children’s audiovisual material can learn a considerable amount from the translators of other texts, such as books and comics aimed at children, about the particular challenges posed by this target audience.

Resumen: This article is in part a review of the literary qualities of the narrative tales written by the Swedish children's author Astrid Lindgren and in part a comparative reading of the Swedish Mio, min Mio (Mio, my son) and its Danish translation from 1955. It will be shown how the Danish version has been adapted from the Swedish and how as a result the Danish version of the narrative does not have the same literary quality as the original.

Resumen: The article takes a look at the translation of children's literature intended for reading aloud. The pragmatic (or theoretical) point of departure is a 'narrative contract' between the child (audience) and the reader as in the oral tradition of yesteryear. It is therefore argued that, at least initially, children's literature for reading aloud was a continuation of the narrative tradition in the extended family adapted to the conditions and mores of the nuclear family. The nuclear family was a 19th century innovation promoted by the new middle classes, and they best carried on the narrative tradition by means of stories such as those of the brothers Grimm in Germany and Hans Christian Andersen in Denmark. Referring to an informal questionnaire among Translation Studies scholars covering eleven countries, it is concluded that the tradition of reading aloud for children is alive and well. This leads to a model for the translational situation for read-aloud literature that calls for guiding principles in the exploration of differences between 'originals' and 'translations.' Having introduced such layers, viz. the structural, the linguistic, the content and intentional ones, a paratextual and chronological layer are also called for, because of the ubiquity of modern co-prints and the need to introduce diachronic perspectives. The article discusses decision-makers in the process of translation, such as publishers and the like, and also briefly views questions of translational traditions before it discusses translations of the Grimm Tales into English and Danish, to conclude that there are two different schools of 'respectable translators,' one targeting stories for reading aloud and another for silent reading, even though the translators may not be aware of this. The final part takes up questions concerning the translation of names, rhymes, and a highly complex text which is discussed in depth. The conclusion is that translation for reading aloud is an art requiring great competence of translators. It also ought to attract more attention from Translation Studies scholars because it questions fundamentals in translation work that are also found in other types of translation.

Resumen: Le présent article fait état d'un aperçu de la réflexion, en matière de théorie de la traduction, d'un important groupe de professeurs d'universités espagnoles qui oeuvrent en traduction ou en traductologie. Dans les années 1990, une série d'ouvrages pionniers voient le jour et offrent une riche diversité de concepts sur la théorie de la traduction et sur son application didactique. Si, pour Lvóvskaya, il convient de mettre l'accent sur l'équivalence dans la communication bilingue, pour Elena, il s'agit plutôt d'appliquer à l'espagnol les théories allemandes du fonctionnalisme et du skopos. Tricás, quant à elle, développe l'application des théories de l'argumentation linguistique en traduction sur le plan textuel, tandis que Hurtado se centre sur un développement exhaustif de chacun des piliers de la traduction. Rabadán et Merino, de leur côté, centrent leurs travaux sur les Études descriptives de traduction (EDT). Par ailleurs, d'autres chercheurs suivent des orientations diverses : Vidal (déconstruction, manipulation, pouvoir), Carbonell (postcolonialisme), Corpas (corpus traductologiques), Muñoz (dimension cognitive), Ortega (herméneutique) et Mayoral (la traduction comme technologie)

Resumen: Simpatía por el traidor no es un tratado académico. Es un manifiesto. Mark Polizzotti lleva casi medio siglo traduciendo: no cree en teorías globales, ni en respuestas infalibles. Su objetivo es mucho más ambicioso: plantearnos qué es una traducción, para qué sirve, cómo leerla. Para conseguirlo, nos cuenta la historia de cómo llegamos a usar las distintas lenguas en nuestro beneficio, y qué sucede cuando no es así.Es una historia salpicada de fanatismo, traiciones, santos, filósofos, espías, poetas y herejes. Y todos formamos parte de ella. Precisamente por eso, este libro está llamado a convertirse en un clásico contemporáneo.«Me preocupa la aparición de un mundo donde la traducción ya no sea realmente necesaria, no porque todos podamos hablar la misma lengua, sino porque las distintas lenguas del mundo ya no expresen las diferencias psicológicas y culturales que las hacían especiales e interesantes.»¿Cuál es el objetivo final de una traducción? ¿Qué significa tildar una traducción de «fiel» o «infiel»? Y, ya puestos, ¿resultan útiles estos criterios? ¿Qué responsabilidad ética tiene el traductor para con el lector y el texto de origen? ¿Es inevitable «perder» algo en la traducción, o también se puede ganar algo? ¿Puede y debe una traducción mejorar el original? ¿Qué hace que algunas versiones canten y otras chirríen? Y en última instancia, ¿importa la traducción? Y de ser así, ¿por qué importa?

Resumen: This article is a presentation of the general framework of a research project in which 56 translated and 94 non-translated books published for children in Argentina during 1997 are analyzed. In the project, the translated books are compared with the non-translated ones from paratextual, literary and linguistic viewpoints. Translation is considered to be a decision-making process and the broad approach proposed here makes possible a comparison of the decisions taken by publishers and translators in different areas and, most importantly, to the interrelations of these decisions. The results will increase the general knowledge of translation for children and of literature published for children in an Argentinean context. Moreover, they will be of importance for methodological issues such as the selection of corpora.