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1.
Like water for chocolate por
  • Esquivel, Laura
  • Christensen, Carol [tr.]
  • Christensen, Thomas [tr.]
Edición: 5a. ed.
Temas: AUTORES MEXICANOS; NOVELAS FANTASTICAS; MUJERES; INGLÉS.
Tipo de material: Texto Texto; Forma literaria: No es ficción
Detalles de publicación: London : Black Swan, 1994
Resumen: Like water for chocolate is a romantic, poignant tale, touched with moments of magic, graphic earthiness and bittersweet wit. A sumptuous feast of a novel, it relates the bizarre history of the all-female De La Garza family. Tita, the youngest daughter of the house, has been forbidden to marry, condemned by Mexican tradition to look after her mother until she dies. But Tita falls in love with Pedro, and in desperation he marries her sister Rosaura so that he can stay close to her. For the next 22 years Tita and Pedro are forced to circle each other in unconsummated passion. Only a freakish chain of tragedies, bad luck and fate finally reunite them against all the odds.
Disponibilidad: Ítems disponibles para préstamo: Biblioteca Bartolomé Mitre (1)Signatura topográfica: 821-31=111 E69l.

2.
Gender, sex and translation : the manipulation of identities por
  • Santaemilia Ruiz, José [ed.]
  • International Seminar on Gender and Language, 1 Valencia - ES 16-18 octubre 2002
Temas: CENSURA; TRADUCCIÓN Y CULTURA; TRADUCCIÓN; SEXO; MUJERES; LENGUAJE; INGLÉS; GENERO; FEMINISMO; DOBLAJE; CONTEXTO; CONFERENCIAS.
Tipo de material: Texto Texto; Forma literaria: No es ficción
Detalles de publicación: Oxon : RoutledgeUniversitat de València. Departament de Filologia Anglesa i Alemanya, 2014
Resumen: Gendered and sexual identities are unstable constructions which reveal a great deal about the ideologies and power relatinships affecting individuals and societies. The interaction between gender/sex studies and translation studies points to a fascinating arena of discursive conflict in which our intimate desires and identities are established or rejected, (re)negotiated or censored, sanctioned or tabooed. This volume explores diverse and heterogeneous aspects of the manipulation of gendered and sexual identities. Contributors examine translation as a feminist practice and/or theory; the importance of gender-related context in translation; the creation of a female image of secondariness through dubbing and state censoriship; attempts to suppress the blantantly patriarchal and sexist references in the German dubbed versions of James Bond films; the construction of national heroism and national identity as male preserve; the enactment of Chamberlain's 'gender metaphorics' in Scliar and Calvino; the transformation of Japanese romance fiction through Harlequin translations; the translations of the erotic as site for testing the complex rewriting(s) of identity in sociohistorical term; and the emergence of NRTs (New Reproductive Technologies), which is causing fundamental changes in the perception of 'creativity' or 'procreation' as male domains.
Disponibilidad: Ítems disponibles para préstamo: Biblioteca Bartolomé Mitre (1)Signatura topográfica: 81'25:141.72=111 S59g.

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