Su búsqueda retornó 2 resultados.

Resumen: Este trabajo aborda uno de los aspectos fundamentales de la narrativa de la novelista británica Jane Austen: su especial uso del lenguaje; aspecto que, no obstante, ha recibido escasa atención investigadora. Asimismo, se analizan los términos y elementos más significativos de su obra, así como diversas traducciones que para ellos proponen algunos traductores. Se presta especial atención a los vocablos que plantean dificultades de comprensión, tanto en su lengua de origen como en su trasvase al español. Entre las razones que explican esta dificultad no solo se encuentra el cambio de significado, propiciado por el irremediable paso del tiempo en la lengua, sino también el personal uso que Austen hacía del idioma, el cual empleaba de forma precisa y, en muchas ocasiones, con una función caracterizadora de personajes.

Resumen: Although fuzziness is one of the innate characteristics of language, shared by both Chinese and English, there do exist apparent differentiations between them as far as their roles in aesthetic-effect-generating, representation mode, application field suitability and aesthetic impact are concerned, which has remained a great challenge and regret in either English to Chinese (E-C) or Chinese to English (C-E) translation, particularly in the latter. It's no exaggeration to say that translation is a profession with no lack of regret and translators are professional regret-tasters. The most impressive regret in C-E translation might lie in the fact that the talent and capability of the translators is painfully restricted in reproducing and conveying the aesthetic effect of Chinese fuzzy expressions. As an artistically conceived language, Chinese invites macro-induction in terms of linguistic features while English, being logic-oriented, analysis-based and hypotaxis-dependent, is largely ignorant of what is called macro-induction. Hence abundant aesthetic genius of Chinese fuzzy expressions can hardly find its way into the English version. It can be said that generally the process of C-E translation is one of complementing continuously "meaning blank", of changing "indeterminacy of meaning" into "determinacy of meaning", with the E-C translation as the opposite. Many language problems in communication are essentially closely related to nationality psychologic archetype complex, which may be a significant try in translation study.