Su búsqueda retornó 7 resultados.

Resumen: Diminutives serve a variety of semantic functions such as preference, satire, affection, endearment etc. The present study endeavours to highlight similarities and differences between both languages and the affect they have on how diminutives are translated from Arabic to English. It is hypothesized that the use of noun phrases preceded by adjectives could be more recurrent than those preceded by quantifiers in rendering diminutives from Arabic into English. Two theoretical surveys of diminutives in both languages were introduced and professional translators were handed a literary text to render into English. On the basis of the linguistic and statistical analysis of the translations involving diminutives, it has been found out that diminutives have been mainly translated into noun phrases preceded by adjectives more than those noun phrases preceded by quantifiers.

Resumen: This paper attempts to apply the functionalist approaches to a comparative study of the two English versions of Hongloumeng in terms of the translation of culture-specific items. The author tries to explore the important role the translation skopos and translation brief play in the choice of translation strategies and offers some comments on the legitimacy of these strategies employed. The analysis of the translation of culture-specific items is conducted in the following five subcultures: ecology, material culture, social culture, religious culture and linguistic culture. Through both a qualitative analysis and quantitative data in which 190 samples covering five cultural categories are collected randomly from the first 80 chapters, the research reveals that the two translators of Hongloumeng employ different strategies in most cases, namely, the Yangs mostly adopt foreignization in order to introduce the Chinese cultural heritage, while Hawkes employs domestication with a purpose of reaching out to the target reader.

Resumen: The case study examined in depth is a comparison analysis of the classical English novel Tess of the D'Urbervilles by Thomas Hardy, which has been translated into Chinese seven times, with seven versions preserving the novel form of the original. The present study will elaborate on the differences between two Chinese versions of Tess of the D'Urbervilles, one is Zhang Guruo's version translated in 1934, and the other is Sun Zhili's version translated in 1999, with regard to language style, literature, concept, acceptance of context, as well as the different translation strategies translators adopted in different historical, social and cultural contexts. The study also examines the special role played in the process by the two translations. The present paper thus contributes both to translation studies and to literary theory. The comparison is carried out by answering the following questions: - What are the social cultural impacts on the first translation and the retranslation? - What kind of selection tendencies do the two translators have? - What are the specific translation strategies adopted by the translators in the field of social customs, history and religion, literature and art, Bible and other allusions, literature and historical figures? Why?

Resumen: L'emprunt est un phenomene social qui reflete l'influence culturelle exercee par une societe sur une autre. Les relations d'ordre economique, politique et culturelle qui se tissent entre les communautes contribuent aux echanges linguistiques entre les Etats, notamment au travers d'echanges culturels de tout type lesquels, a leur tour, entrainent l'incorporation d'elements d'une langue dans une autre. L'espagnol emprunte de plus en plus de mots et de tournures a la langue anglaise ; ceci est vrai dans bon nombre de domaines, dont le domaine de l'economie. Depuis une perspective terminologique, cet article traite des emprunts de la langue anglaise dans le langage economique en espagnol. Nous realisons un travail d'observation, d'analyse et de description des emprunts lexicaux presents dans un corpus d'articles publies dans la section economique du quotidien El Pais sur la periode entre janvier 2007 et decembre 2010. Le cadre theorique de notre etude traite, d'une part, la categorie des emprunts qui, au sens large, conforment aux unites provenant d'autres codes linguistiques et, d'autre part, nous abordons ce phenomene linguistique par la perspective sociolinguistique qui s'interesse aux rapports entre le langage et la societe. Nous presentons ensuite nos objectifs (principaux et specifiques), puis la methodologie que nous avons suivie tout au long de notre investigation. Enfin, nous discutons des resultats obtenus.

Resumen: Having rejected the assumption that there is a necessary link between language and communication, relevance theory holds that languages are indispensable not for communication, but for information processing, and information processing is their essential function. And the distinction between the descriptive and interpretive use of language settles the disputes upon translatability and untranslatability. From the relevance-theoretic point of view, translation falls naturally under the interpretive use of language: translation is intended to restate in one language what someone else said or wrote in another language. It means that different utterances can be used to express the same meaning, while the same meaning can be expressed in different ways. Interpretive use entails translatability. As to how closely the language of the target text resembles that of the source text, the answer is that it is a matter of degree. However, in any case, the target language used should fulfill the requirements of the principle of relevance: it is relevant enough for it to be worth the reader's effort to read and it is the highest level of relevance that the translator is capable of achieving given the means and goals.

Resumen: Balzac's realistic technique relies mainly on the verisimilitude of a huge variety of elements (characters, descriptions, encyclopedic knowledge, etc.), among which language stands out as one of the mainstays of La Comedie humaine in general and Illusions perdues - the key novel - in particular. This paper highlights first the crucial role of Balzac's singular vocabulary (technical terms, slang words, etc.) for the success of his ambitious realist project, the variety and complexity of his language being a reflection of the variety and complexity of the new society he aims to describe. Then, through a comparative study of a group of English and Spanish translations of Illusions perdues, the paper insists on the importance of consciously maintaining Balzac's complex lexical singularities in the target languages, this being the only way to offer the reader a text faithful to the realistic intentions of his author instead of a modern "dubbed" easier-tounderstand version.

Resumen: Le realisme de Balzac etant fonde dans une grande mesure sur la vraisemblance d'un ensemble d'elements divers (personnages, descriptions, encyclopedisme, etc.), la creation d'une ecriture de nature a reveler et dessiner avec exactitude et finesse cette vraisemblance generale, deviennent les objectifs primordiaux du romancier dans La Comedie humaine et plus particulierement dans Illusions perdues, le roman capital. Cet article souligne d'une part, la fonction decisive du lexique singulier (termes techniques, argot propre aux divers tissus sociaux, etc.) necessaire au succes du projet realiste de Balzac, puisque la variete du vocabulaire et la complexite de la plume balzacienne repondent parfaitement a la variete et a la complexite de la nouvelle societe qu'il depeint. D'autre part, l'analyse contrastive de diverses traductions d'Illusions perdues en anglais et en espagnol nous permet de comprendre et de souligner l'importance de transposer consciemment dans les langues d'arrivee les singularites lexicales balzaciennes et leur opacite originale si l'on veut offrir au lecteur etranger non pas un texte « double » dans une langue contemporaine plus comprehensible, mais un texte vraisemblable et donc fidele a l'ambitieuse volonte de Balzac de portraiter avec realisme la societe de son epoque.