000			01956nas a2200301Ia 4500
005			20211231062539.0
008			201120s2017||||be#|||||||||||000|0|eng|d
022			_a0521-9744
040			_aAR-BaCTP
100			_aLuczaj, Kamil _912638
245		0	_aThose who help us understand our favourite global TV series in a local language _bQualitative meta-analysis of research on local fansub groups
260			_aSint-Amandsberg _bFédération Internationale des Traducteurs _capril-may 2017
300			_ap. 153-173
490			_vvol.63n.2
500			_aincl. ref.
520			_aThe main aim of this article is to critically analyse and systematise the debate concerning non-professional subtitling of TV series and movies in some non-English-speaking countries. Most of the studies on fansubbing deal with a specific problem, and they are based on various theoretical frameworks. This paper attempts to merge them into one coherent framework that can serve as a basis for subsequent research. The article addresses the issue of non-professional translation as a solution to the lack of official translations, but also as an alternative strategy for translating the texts of popular culture. The paper is divided into four parts. The first defines the phenomenon of fansubbing. The second shows how professional and non-professional translations differ. The following two parts, based on different national case studies, answer the questions: who are fansubbers, and what are their motivations?
650			_aLENGUAJE Y SOCIEDAD _96448
650			_aPELICULAS _97030
650			_aSUBTITULADO _97619
650			_aTELEVISION _97689
650			_aTRADUCCION AMATEUR _97801
650		2	_aTRADUCCIÓN Y CULTURA _97924
700			_aHoly-Luczaj, Magdalena _911887
773			_04987 _tBabel _x0521-9744
900			_bHEMERO / ANALITICA; TRADU; LENGUA; INGLES _cS _ds _eas _f20170104 _ien _jCfd20171104 _k07152.jpg _mBE
942			_cART
999			_c9846 _d9846
080			_aH17