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Resumen: Part 1 of the study presents the theoretical framework on which the model is based, and surveys the various concepts of translation theory and text linguistics. Part 2 describes the role and scope of source-text analysis in the translation process and explains why the model is relevant to translation. Part 3 presents a detailed study of the extratextual and intratextual factors and their interaction in the text, using numerous examples from all areas of professional translation. Part 4 discusses the applications of the model to translator training, placing particular emphasis on the selection of material for translation classes, grading the difficulty of translation tasks, and translation quality assessment. The book concludes with the practical analysis of a number of texts and their translations, taking into account various text types and several languages (German, English, Spanish, French, Italian, Portuguese, and Dutch).

Resumen: The transfer of offensive and taboo language in subtitling may position translators' choices in a challenging and controversial situation, given the effect that such terms can cause on the audience (Díaz Cintas 2001a). Nowadays, it seems that dealing with this type of language starts to gain more attention in academic circles, as it belongs to colloquial language within a low register, and as such we do speak in diverse manners depending on the context we are in. This paper delves into the way offensive and taboo language has been subtitled into European Spanish. In order to conduct this study, the subtitling of the DVD version of Quentin Tarantino's multilingual film Inglourious Basterds (2009) has been described and analyzed, resorting to a multi-strategy design (Robson 2011) which combines quantitative with qualitative data, under the umbrella of the descriptive translation studies paradigm. Accordingly, the main purpose of this analysis is to determine any regularities in the way in which offensive and taboo language has been dealt with in this particular case study, considering the technological restrictions of subtitling as well as the translational strategies employed. Thus, this study aims to shed some light on the way this type of language has been transferred on the screen.

Resumen: Este manual práctico ofrece materiales didácticos para las diferentes asignaturas de traducción general y especializada del inglés al español del actual Grado en Traducción y sigue la metodología propuesta por las directrices del Espacio Europeo de Educación Superior. Está estructurado en 17 unidades didácticas que abarcan todo el proceso de traducción general y especializada y tratan temas como el método de traducción, el mercado laboral, los recursos de documentación del traductor, las técnicas de traducción de la terminología especializada o la labor de revisión de textos. Incluye más de 45 textos para traducir, de diferentes niveles de dificultad, longitud y especialización, textos para revisar, 65 ejercicios para llevar a cabo en el aula y fuera de ella y 15 reflexiones sobre la práctica de la traducción directa del inglés al español, con el fin de que cada docente pueda elegir los más apropiados para cada situación de enseñanza-aprendizaje concreta.

Resumen: La presente obra nace de una tesis doctoral que a su vez parte de tres objetivos: a) revisar determinados conceptos básicos de la traducción audiovisual, los estudios descriptivos y la interculturalidad así como ciertos postulados pragmáticos, con el fin de acercarnos al fenómeno humor y e su traducción y de elaborar una metodología de análisis adecuada, b) describir desde una perspectiva discursiva parte de los mecanismos que se muestran activos en la traducción del humor en textos audiovisuales y c) identificar un listado de tendencias traductoras que sirva como punto de partida para una futura constatación de posibles normas de traducción del humor en textos audiovisuales.

Resumen: Drama translation studies used to be the most neglected area in translation studies due to its prescriptive approaches and reductionist illusion of polarization of performability and readability. Corpus stylistics of drama, with the aid of computer technology as well as the understanding of the true nature of drama as the dialectical combination of both literary and theatrical characteristics, appears to be a remarkable theoretical framework and methodology for drama translation studies. The study of (im)politeness in Death of a Salesman and its two Chinese versions is undertaken as a case study. ICTCLAS and Concordance 3.0 were used to calculate the high frequent expressions concerning (im)politeness in both the original text and the Chinese versions, followed by the analysis of their stylistic function. It is found that modal particles and slang expressions in Chinese are useful to reconstruct the characterization, plot as well as performability of the translated drama. In conclusion, corpus stylistics of drama is of high feasibility in drama translation studies.

Resumen: It is a well-known fact that translated texts present a number of peculiarities which distinguish its language from the one found in texts produced originally. Many studies have tried to name some of these phenomena, which are usually grouped together under the umbrella term of 'translation universals'. It has been demonstrated that translations do share a number of features irrespective of the source or target languages involved. Other divergences between original and translated texts are due to source language interference and are, therefore, language-dependent. This paper is a corpus-based study of several highly frequent Spanish adjectives in original texts and in texts translated from English. The unmarked position of attributive adjectives is the pre-modifying one in English and the post-modifying one in Spanish, though. Spanish also allows for the pre-modifying position with certain connotations. The aim of this study is to identify differences in behavioral patterns with respect to adjective position in original and translated Spanish and explain these differences in terms of translation universals and/or source language interference. The results have revealed cases of simplification, unique item under-representation and untypical collocations in Spanish translations of English source texts.

Resumen: "Cine independiente y traducción" es el ensayo, resultado de un proyecto de investigación centrado en el cine independiente (de autor) americano, abordado desde la óptica de su traducción al español en las modalidades más utilizadas de la traducción audiovisual; el doblaje y la subtitulación. La obra analiza la forma de traducir (el "Método de traducción") en cinco películas independientes americanas realizadas entre los años 2001 y 2003, como el resultado del proceso de la búsqueda de soluciones ante los problemas que su traducción plantea. El método de traducción observado puede variar dependiendo de la modalidad de traducción elegida, ya que se obtiene un producto que en ocasiones puede llegar a parecer diferente. Este libro esta dirigido a estudiantes, investigadores y a todos los lectores interesados en el cine independiente y su traducción.