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Resumen: Linguistic expressions in every language have established patterns with meanings that can be inferred by linguistic conventions. Languages have their own norms and expressing systems that make transferred linguistic formulas seem odd. Any deviation from the established patterns can be referred to as interference. Interference in translation is the transfer of some linguistic aspect of the source text (ST) into the target text (TT). The term includes any kind of influence that is exerted by the linguistic properties of the ST on the linguistic properties of the TT. Lexical items and syntactic structures of the source language are copied into the TT, resulting in the phenomenon called 'translationese'. As a result of interference, translation has introduced a plethora of words, expressions, and constructions into Arabic, resulting in a change in modern Arabic style. One phenomenon that Arabic has witnessed in modern times is linguistic recycle. This term refers to the re-utilization of translated expressions and syntactic structures in Arabic in its intra-linguistic operation (opposed to the inter-linguistic event of translation). The language community has been using these translation-introduced formulations although they do not conform to the canonical patterns of Arabic. Being unaware of this fact, speakers of Arabic use the translation-introduced expressions and constructions instead of the native ones although they have at their disposal a variety of formulations to express the same ideas. Linguistic recycle can be categorized into the three areas of lexis, syntax, and culture. Using a contrastive approach, the paper investigates the areas of lexis and syntax, demonstrating the pervasiveness of this phenomenon and its impact on Arabic. Corpora of Arabic have been used to detect and verify occurrences of expressions and structures.

Resumen: This empirical-experimental study focuses on the processing of metaphorical expressions in sight translation (STR), a particular branch of interpreting. In order to test whether linguistic metaphors pose cognitive challenges for sight translators, we designed a within-subject experiment with 30 undergraduate taking an intermediate-level interpreting course at a Chinese university. Three streams of data, namely processing times, translation quality assessments, questionnaires and retrospective interviews, were collected and analysed for triangulation purposes.pThe results showed that metaphorical expressions took more time to process, and their presence resulted in more translation failures. In other words, the inclusion of linguistic metaphors slowed down the speed of production and compromised the quality of translation, meaning that the STR of metaphors requires more effort than for their literal counterparts. The results also suggested that the extra effort was mainly invested in the reading phase, rather than in the production phase. The data revealed that mistranslations resulting from incomplete understanding, and the ensuing imbalance in the allocation of processing capacity between the reading and production tasks, far outnumbered those resulting from the failure to find appropriate target-language terms. By adopting STR as the vehicle for examining metaphorical expressions, this study also shed some light on how metaphors are processed in a bilingual environment.

Resumen: Although fuzziness is one of the innate characteristics of language, shared by both Chinese and English, there do exist apparent differentiations between them as far as their roles in aesthetic-effect-generating, representation mode, application field suitability and aesthetic impact are concerned, which has remained a great challenge and regret in either English to Chinese (E-C) or Chinese to English (C-E) translation, particularly in the latter. It's no exaggeration to say that translation is a profession with no lack of regret and translators are professional regret-tasters. The most impressive regret in C-E translation might lie in the fact that the talent and capability of the translators is painfully restricted in reproducing and conveying the aesthetic effect of Chinese fuzzy expressions. As an artistically conceived language, Chinese invites macro-induction in terms of linguistic features while English, being logic-oriented, analysis-based and hypotaxis-dependent, is largely ignorant of what is called macro-induction. Hence abundant aesthetic genius of Chinese fuzzy expressions can hardly find its way into the English version. It can be said that generally the process of C-E translation is one of complementing continuously "meaning blank", of changing "indeterminacy of meaning" into "determinacy of meaning", with the E-C translation as the opposite. Many language problems in communication are essentially closely related to nationality psychologic archetype complex, which may be a significant try in translation study.

Resumen: This paper describes how mediation in translation is realized by means of inclusion and exclusion of information at the selection stage and discursive deviations at the presentation stage in the process of target text production. It discusses the effect of mediation in relation to two types of the target text recipients, one is termed professional readers representing the censoring authorities and the other the intended reading public, and their respective socio-cultural backgrounds. Our argument in this paper is that an investigation of translation from the perspective of mediation helps reveal the power struggle underlying the translation process. The detailed description of the textual realization of mediation, in particular, helps create an awareness of the various ways the target text producer may take to mediate the translation process to achieve a compromise between the author's interests and the professional readers' political concerns so as to get the translation published.

Resumen: Translation is to reproduce the meaning and style of a source language text in a target language text in consideration of the cultural differences. Because of dramatic differences between the cultures, translators have to sacrifice something, such as time, religious connotation, and the wording of the original poem to obtain its aesthetic value and its original beauty. In this paper the author examines the poetry translation focusing on the basic concepts of cultural translation and the difficulties of Chinese poetry translation, and special attentions are paid on losses and the strategies in the translation. Beginning from the basic concepts of cultural translation, the paper expounds the essence of the cultural translation in order to lay a sound foundation for the following analysis of the poetry translation. In Part 2, the paper points out the difficulties of Chinese poetry translation that arise from the differences between Chinese and English cultures .Part 3 is a tentative analysis of the losses in the English translation of Chinese poetry and categorizes the losses into four groups:the loss of time;the loss of religious connotation ;the loss in wording; the loss of allusion. To address the losses, the author proposes several strategies such as free translation , transfer of allusion and annotation.

Resumen: The lay judge system was introduced in Japan in May 2009 in an attempt to promote citizen participation in legal decision making. In line with this new development, the Supreme Court of Japan created a promotional video, which is currently available at http://www.saibanin.courts.go.jp/news/video2.hyml. The video has scenes involving several Japanese expressions that have proved to be hard to translate into English.