Studying subtitle translation from a multi-modal approach
Tipo de material:
Recurso continuoSeries Volume 52, Issue 4, 2006 ; v. 52, n. 4Detalles de publicación: Sint-Amandsberg : Fédération Internationale des Traducteurs , october-december 2006Descripción: p.372-383ISSN: - 0521-9744
| Tipo de ítem | Biblioteca actual | Colección | Signatura topográfica | Estado | Fecha de vencimiento | Código de barras | |
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Artículos/Analíticas
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Biblioteca Bartolomé Mitre | Colección General | H17 (Navegar estantería(Abre debajo)) | Disponible | |||
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Artículos/Analíticas
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Biblioteca Bartolomé Mitre | Colección General | H17 (Navegar estantería(Abre debajo)) | Disponible |
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This paper investigates subtitle translation from a multi-modal approach. Approaching subtitle translation from a multi-modal perspective is an attempt to consider subtitle translation as intersemiotic translation. It suggests that subtitle translation involves more than the spoken mode, but also involves other semiotic modes, such as the mode of sound effects, the mode of moving images, the mode of music and the written mode. In doing this, this paper takes an approach in which the multiplicity of modes in film is represented in the subtitle translation. From a theoretical point of view, it assumes that all modes are given equally serious attention. From this perspective, this paper focuses on two interrelated areas: (1) how the concept of mode works in the translating process; that is, how the translator makes use of the specialized
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