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Resumen: "The urgency of Nicole Brossard's writing has been carried torth in her words since the 1960's. For this Quebec feminist auther, the act of writing is an urgency that overwhelms her style and need to create.Brossard's voice has evolved with clarity and freedom, concentrating on the pleasure of words and the creation of new spaces for women. Brossard continues to create, to synchronize and to process thoughts, feelings, emotions and all the energy -mental, sexual, spiritual- they encompass..."

Resumen: "Many of the studies concerning translation theory and practice have focused on literary translation. Even though in recent years this trend has changed substantially, literature still seems to be a very attractive field of analysis for translation scholars. Without any doubt, it is in the translation of literature where the most daring strategies can be found, at least in general terms. The fact that my research has focused precisely on a literaly text is also based on my aim to discover up to what extent cultural differences can be grasped and bridged through translation and how this can be done. In other words, how can in this case Kunti speak Galician through her own voice?"

Resumen: SUMARIO: Andamios; De la écriture féminine a la woman identified translation; La woman identified translation; La creación de un mito; A examen; La recepción académica de las teorías y Destilaciones.

Resumen: "This paper is aimed at examining possible explanations for student resistance to feminist translation. By exploring the critical role of explicit links between theory and practice in the classroom and discussing means of drawing students' attention to gender in language, I hope to find ways to increase acceptance of the legitimacy of the existence of feminist translation strategies, regardless of whether this leads to their embrace or adoption..."

Resumen: "In 1984, critis Mary Poovey blamed the "founding mother of feminism" Mary Wollstonecraft for discurively aspiring "to be a man to hide what seemed to her a fatal female flaw beneath the mask of male discourse". This view of Wollstonecraft's writing strategies as some form of imposture to heal female identity ailments contrast with this paper's assumption that they are an expression of author positioning strategies and reader address within the limited discursive space allotted to women writing in the late 18th century..."

Resumen: "The role of grammatical gender in sex specification including the so-called generic masculine has been one of the main topics in feminismt linguistic research. However, the existing differences between even closely related languages have only in part been analysed systematically. After some more general remarks on gender and gender assignment I will concentrate on a contrastive analysis of formal as well as semantic propierties of grammatical gender in Spanish, French and German. I will show that in all three languages sex specification through gender must be conceived of as one kind of semantic utilisation of the gender opposition among others. The differences concerning the extent to which gender is used to mark sex are -at least partly- due to distinct formal characteristics of the gender system..."

Resumen: "This paper addresses some of the challenges inherent in finding and showing a gendered voice in translation. The starting point is my own experience as a feminist translator of both feminist and non-feminist texts. Textual practices like translating necessarily interact with current theoretical debates. In turn, theoretical writing on feminism enriches and informs one's translating activity. This interplay between theoretical models and textual practices was particularly made evident to me as I rendered Essentially speaking, by Diana Fuss, into Catalan. In this article I intend to transcend anecdotes of translating individual texts and consider how translating equals rewriting oneself; it involves rethinking writing practices. I will specifically address the rethinking of (1) one's identity when translating 'like' a feminist, (2) performativity in gender and in translation, and (3) agency and (In)visibility."

Resumen: Gendered and sexual identities are unstable constructions which reveal a great deal about the ideologies and power relatinships affecting individuals and societies. The interaction between gender/sex studies and translation studies points to a fascinating arena of discursive conflict in which our intimate desires and identities are established or rejected, (re)negotiated or censored, sanctioned or tabooed. This volume explores diverse and heterogeneous aspects of the manipulation of gendered and sexual identities. Contributors examine translation as a feminist practice and/or theory; the importance of gender-related context in translation; the creation of a female image of secondariness through dubbing and state censoriship; attempts to suppress the blantantly patriarchal and sexist references in the German dubbed versions of James Bond films; the construction of national heroism and national identity as male preserve; the enactment of Chamberlain's 'gender metaphorics' in Scliar and Calvino; the transformation of Japanese romance fiction through Harlequin translations; the translations of the erotic as site for testing the complex rewriting(s) of identity in sociohistorical term; and the emergence of NRTs (New Reproductive Technologies), which is causing fundamental changes in the perception of 'creativity' or 'procreation' as male domains.