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Resumen: This paper deals with translated Canadian multicultural literature written for children and its reception in an intercultural education context in Spanish schools. In the first part of the paper I will introduce intercultural education. In the second part, I will examine the role of the translator working in a multicultural environment where texts are written in one language (English) in one country (Canada), then translated into another language (Spanish) and published in Spain. I will also look at the reception of these translations as well as the strategies translators should use to maintain the otherness of the original texts.

Resumen: Francisco Nieva is one of Spain's most original and innovative contemporary playwrights. Since Nieva's return to Spaim in the late sixties, his work has been given recognition denied it during his many years of self-imposed exile in France and Italy. Nieva was awarded the Principe of Asturias prize last year and his plays are now regularly perfomed in Madrid.

Resumen: In Spain, as in the rest of the non-Anglophone Western world, English-language film titles have become texts (or paratexts) of great cultural importance. The titles of the films that one may encounter in Western cinema can be considered, on the one hand ephemeral, elusive, and inconsequential. However, on the other hand, despite their clear irrelevance, film titles are considered to be the genuine contemporary cultural texts, for their continued presence in the media and for their evocative nature: an important marketing tool. Moreover, the result of what happens when film titles are translated into other languages and cultures has always intrigued the audience: this is perhaps indicative of the vast universe of translation studies. The differences between languages are palpable, not only from a linguistic point of view but also from a pragmatic, historical or cultural standpoint. In this paper, we deal with the translation of Quentin Tarantino's film titles into a number of European languages, including Spanish, Catalan, French and German. Quentin Tarantino's films are controversial, self-reflexive and have acquired a significant recognition within popular culture. Most of the typologies employed so far have revolved around the notion of 'fidelity" in the translation of film titles, and involving such strategies as literal translation, transposition, addition, etc. We wish to propose here another avenue for investigation: that of film-title translation as a complex (and globalised) rewriting phenomenon that benefits the commercial and ideological interests of the film industry.

Resumen: Por su característico argumento principal The taming of the Shrew es una de las obras de Shakespeare más conocidas y representadas en todo el mundo. Pero, quizás tambien por ello, es una de las mas sujetas adaptaciones escénicas o cinematográficas de todo tipo. En España, ha sido traducida en mas de veinte ocasiones y llevada al cine en 1955 con el título La fierecilla domada.

Resumen: La obra analiza, a partir de un corpus de más de 500 documentos y de una muestra de 100 peticiones de aclaración de comités éticos, los principales problemas de las traducciones de consentimientos informados del inglés al español. El autor también propone una serie de ideas y consejos para mejorar la calidad de los textos presentados a los comités éticos de investigación clínica y que serán leídos por los pacientes españoles que se plantean participar en una investigación clínica.

Resumen: El presente artículo tiene una doble finalidad, de un lado, pretende mostrar las diferentes estrategias empleadas al traducir los títulos de las películas provenientes básicamente del mundo anglo-americano a la lengua española. Para ello, se han analizado algunas de las principales funciones que se observan en los títulos (referencial, expresiva y apelativa). También se examina la traducción de títulos que comprenden nombres propios de persona o lugar. La segunda parte de este trabajo se centra en una aplicación sociolingüística de este estudio, ya que a través de la administración de una encuesta se indaga sobre si una pequeña muestra de espectadores españoles de distintas generaciones entienden los títulos en inglés, entre otras cuestiones.

Resumen: The Thornbirds by Colleen McCullough narrates the story of the Cleary family, Irish immigrants in Australia, and the love that Meggie, the daughter, feels for the attractive and ambitious Catholic priest Ralph de Bricassart. By resorting to the world of emotions, McCullough wrote what became a best seller: the novel was published in the USA in 1977, reaching high reading records and being quickly translated into different languages, including Spanish. When it arrived to Spain one year later, the book controlling system that had been operative during Franco's dictatorship and which was in charge of revising all the material entering the country was then coming to its end, but the novel still had to be reviewed in order to be published.

Resumen: The unknown, precisely because it is unknown, causes suspicion and fear. What does the lawyer feel when he faces an unknown legal institution? How does the translator react in such a case? In this article we study both the reaction of the Spanish legal community and also that of translators in Spain when facing an unknown legal institution like the trust. That enables us to realise that there is a close relationship between the attitude of the legal translator when faced with a new institution like the trust and the view taken by international private law rules as well as that of the legal community in charge of applying foreign law. Furthermore, we compare the attitude of the Spanish translators and the legal community in Spain, rather conservative, with that of other countries, like Canada, which have shown to be more open minded. Finally, we put forward translation strategies based on the calque and loan of the foreign word.

Resumen: "En este trabajo, nuestro objetivo es analizar las principales estrategias de traducción en el doblaje del largometraje Blood and Sand (Rouben Mamoulian, 1941)".

Resumen: La práctica de la traducción, tarea común para muchos de nuestros hombres del S. XVIII, también la cultivó Alberto Lista. El maestro sevillano dominaba el francés y el italiano, llevando a cabo varias traducciones de sendos idiomas. Pero Lista sabía, además, inglés, y es de presumir que leyera las novelas de Richardson y las obras de Pope en dicha lengua. Este autor repite, en varias ocasiones, que conocía la lengua inglesa, y sabemos que tradujo, además del poema Ala sabiduría, tomado de Clarissa, y The Dunciad, de Pope - las dos obras que aquí se contemplan -, las poesías rusas de Bowring. Asimismo, hizo una reseña de Lord Holland.